Rain taking the nights, taking the days
~ Grey and grey and grey ~
Rain misting soft
~ billow light ~
Rain driving down
~ staccato rap rap rap sharp beat ~
Rain washing over the eaves
~ waterfall roar ~
Water settling in the low lie of the fields
~ corn stubble, sharp cut ragged, edge shallow pools ~
Ditches, creeks, rivers spilling
~ corpulent greasy flows thick with silt, tumbling bobbing bits of whatever blow in – fallen, from crumbling edges and banks ~
~ away. away. wait for the. break. between. breathe. ~
~ Awash ~ Awash ~ Awash ~
In the hollow she sleeps. She does not sleep. She is in the ditch laying half on grass and half on drainage rock. What little breeze there is disappears as I start down the incline. The air is stifling, hot and humid. I smell the pine trees that cover the slope of the ravine. She’s on the south side of the road. A driver wouldn’t notice but I’m walking so I can see right into the ditch. In that first glimpse I comprehend a figure gracefully reclined. An odd thought as what grace is there in this death? Her neck is a lyrical curve that rests her head on a swell of grass. Her forelegs are long with delicate ankles demurely crossed. Lost in the sound of my feet on the gravel, she’s taken me by surprise [her stillness].
In the hollow now the cars whiz by. A transport changes lanes to save me from a wake of wind and swirling grit. Always walk facing the traffic on the highway so you see cars and trucks that head towards you. Wave thanks to drivers that move over when they can. The traffic is louder than you would imagine. Faster than it seems when you’re in the car. Up on the far end of the hollow I can see something on the shoulder. It’s ruddy and small. It’s angular and ill-defined in the distance. Drawing close I see it’s her fawn. The birds have already been at its eyes. One of its hind legs is broken. The foot hangs loose from the rest. Were they together when it happened or did the fawn go searching for her when she didn’t return? Does it matter? I walk on and double back at the Coyne Road to head home.
In the hollow there’s a heat shimmer on the road. The sun blazes above. Travelling east now I can see the fawn on the other side of the road. The eyes are cavernous holes that follow me as I walk. I pass opposite the spot where the doe lies. I can’t see her [smooth brow and the soft sweep of long lashes that shade closed eyes] in the ditch. Two cars rush up parallel behind me as a driver defies the solid yellow line to pass on a blind slope. The passing car, close now to the shoulder where I walk, sends a blast of hot air and dust to wrap around me. In my memory she [the doe] reclines [elegant-in grace-in sorrow] as her fawn looks [dark-empty] for her return.
In the hollow a single crow calls. There are three but only one speaks.
In the hollow I can hear a sound [buzzing through the insulation of my ear buds]. Leave the volume low as you walk along the highway. If you can hear your footsteps you should be able to hear oncoming traffic. The origin of the sound is just ahead. It is [was] a raccoon [not fat but bloated] . I can’t see flies but I can hear [a legion – a multitude – a horror] them. The sound is aggressively loud. I think the swollen carcass must be acting as a hollow chamber amplifying the sound of what lies within. I don’t [can’t – won’t] look as I walk by. The fur is beautiful. If I reach out to stroke it would I find an incredible lush softness [vibrating with what lies beneath]? When I double back I look straight ahead. I know [hear] it [you] is [are] there. The air is heavy and cloying. Rain is on the way.
In the hollow there are three crows. They don’t speak.
In the hollow Queen Anne’s Lace [Daucus carota – Why do I know that?] gives off a heavenly smell. Flattened skin tanned to leather is marked with sparse patches of fur. Yellow bone [forearm, jaw bone, sharp stab of teeth] is an anchor that still defines the [broken] form. A car speeds by.
In the hollow there are no crows.
In the hollow a crow calls.
I like the pot. It’s a beauty. It’s cast iron with an enamel coating. The pot’s a nice size and it cleans up like a dream. I’ve baked cabbage rolls in the pot. I’ve roasted chickens stuffed with garlic and rosemary. I’ve spent hours simmering beef bourguignon. Last December the pot helped grace my table with the prime rib roast I make for Christmas each year.
The pot was a wedding present. Not my wedding mind you.
I have a lovely friend. She met a man and fell in love. They threw caution to the wind, picked up their lives, and moved across the country. They bought a house. They made new friends. They got married. They received the pot as a wedding present. The marriage ended. The house was sold. They divided the things they wanted and gave away what they didn’t. And now I have the pot.
I was okay to take the pot. I’m always up for new cookware. Well I was okay until someone mentioned that the pot was high-end Le Creuset cookware. A quick internet search revealed what I was calling a roasting pan was in fact a pot referred to as a Dutch oven and the one taking up space in my cupboard had a suggested retail price of $380.00 …plus tax. Of course I called my friend and tried to return it. She just laughed and said she’d known it was an expensive item but didn’t care. She wanted it gone. It was a mystery to her why her ex in-laws had bought it as a wedding gift as neither she nor the man she’d married were big home cooks.
Eating together is one of those traditions that strengthen the ties that bind. You sit and talk. You share yourself as you share your meal. Perhaps that was what the pot was supposed to represent as a wedding gift – the opportunity to build, in part, the foundation created when lives are experienced together. I don’t know. Maybe my friend’s ex in-laws are the kind of people who like to spend hundreds of dollars on vaguely unsuitable gifts. Or maybe the pot wasn’t only a pot but instead a best wish for a happy future together.
The pot isn’t the most expensive item that Le Creuset makes. I found a goose pot on Amazon selling for $674.00. If you believe the online reviews it’s worth every penny. I can’t even imagine spending that kind of cash for a pot or a pan. That being said, chances are I’m going to own the pot longer than my friend was married. Longer even than the sum total time of her relationship.
Le Creuset cookware is warranted to be free from defects in material and workmanship at the time of its purchase. If it’s broken when you buy it they replace it. I spoke to my friend last week. She moved back across the country earlier this year and she’s still trying to figure out where it all went wrong. It’s never easy. People aren’t cookware. Relationships don’t come with any kind of guarantee. The strength of the promises made between two people is only equal to the will and intent of the parties joined together. And what you see (or choose to see) isn’t always what you get. If someone is broken, a bad fit, or just wrong, you don’t get to simply reset. You either decide you can live that way or you move on. It’s much easier to fix a pot.
I’m going to make something warm and bubbly this weekend. I’m not sure what yet but it’s going to be one of those dishes that fill the house with a marvellous smell. As I sit down to share my meal I’ll spare a thought of thanks to my friend for her friendship as well as the pot. I think she’s going to be okay. It will take more of letting things go but she’s well on her way. And like the pot her heart might even find a new home.
Because the pot and the marriage contract are the promise and the meal and the relationship are the fulfillment the music for this post is the Wilder Adkins song When I’m Married